| Let It Be... Naked | ||||
|---|---|---|---|---|
| Remix album by The Beatles | ||||
| Released | 17 November 2003 | |||
| Recorded | 4 February 1968, 2–31 January 1969 and 3–4 January 1970 at EMI and Apple studios, and Twickenham Film Studios, London |
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| Genre | Rock | |||
| Length | 35:04 | |||
| Language | English | |||
| Label | Apple | |||
| Producer | Paul Hicks, Guy Massey and Allan Rouse | |||
| The Beatles chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [1] |
| Blender | [2] |
| Pitchfork Media | [3] |
| Rolling Stone | [4] |
Let It Be... Naked is a remixed and edited version of the 1970 Let It Be album by The Beatles. It was first released in November 2003 and sold approximately 3.2 million copies.
Contents |
The album is presented in a form which Paul McCartney considers closer to its original artistic vision: to "get back" to the rock and roll sound of their early years[5] rather than the orchestral overdubs and embellishments which were added by Phil Spector in the production of the final Let It Be album. McCartney in particular was always dissatisfied with the "Wall of Sound" production style of the Phil Spector remixes, especially for his song "The Long and Winding Road", which he believed was ruined by the process.[5] George Harrison gave his approval for the Naked project before he died.[6] McCartney's attitude contrasted with Lennon's from over two decades earlier. In his 1971 interview with Rolling Stone magazine, Lennon had defended Spector's work, saying, "He was given the shittiest load of badly recorded shit with a lousy feeling to it ever, and he made something of it."
In January 1969, The Beatles had decided to go back into the studio to rehearse and record new songs and have the project filmed for a documentary. The project's original working title was Get Back, and an album and film were to be the end products of these sessions. Being older and more independent, the individual Beatles' tolerances for each other's quirks had decreased: for instance, on 10 January, George Harrison walked out of the sessions after the latest in a series of arguments with John Lennon over his music and after being harassed by Paul McCartney about his playing style on a take of "Two of Us". By the time the Beatles had decided the project was completed, all parties involved were so aggrieved that all of the resultant recordings and film were left on the shelf for close to a year, with no one wanting to face the gruelling editing process. (In the meantime, later that year, they recorded and released Abbey Road – with sessions running smoothly and tensions largely abated. Also issued was the single "The Ballad of John and Yoko"/"Old Brown Shoe", recorded in April and released in May.)
After nearly a year, with some parties at EMI wanting more of a return on the early 1969 sessions besides just the "Get Back"/"Don't Let Me Down" single (released in April 1969), Phil Spector was brought in by John Lennon and George Harrison and given the task of going through the hundreds of hours of audio tape and film and coming up with a marketable product to tie in with the impending film release. The end result was the album Let It Be, released 8 May 1970. (The movie of the same name was released later that month.)
One of the biggest complaints about the Let It Be album throughout the years has centred on Spector's "Wall of Sound" technique, with some critics claiming the quality of the music was diminished by his orchestration and use of choirs. Critics of the album (including McCartney) have said the original intent in the early 1969 sessions had been to keep the music simple, both to remain true to their rock and roll roots and to enable them to easily replicate the songs in possible future live performances.
The origin of the Let It Be... Naked project arose during a chance reunion of Paul McCartney and Let It Be film director Michael Lindsay-Hogg on a plane in the early 2000s. McCartney and Lindsay-Hogg discussed the unavailability of the film on both VHS and DVD, which led to discussion of a possible remixed "soundtrack" to accompany a proposed future DVD release. In early 2002, McCartney recruited Abbey Road in-house engineers Paul Hicks, Guy Massey and Allan Rouse to go back into the vaults and assemble a brand new studio album from the 30 reels of tape recorded during the January 1969 sessions. Since much of the Let It Be material had been recorded live, many sound anomalies existed on the tapes. Hicks, Massey and Rouse did extensive work, digitally cleaning up each individual track of every song before remixing them. Some takes were edited together to come up with the best possible final version. For "Dig a Pony", an errant note sung by John Lennon was even digitally pitch-corrected.
The songs on Let It Be... Naked, for the most part, differ greatly from the versions presented on the original Let It Be album. To begin with, the songs on the Naked album are in a different running order than the original Let It Be album. Furthermore, all of Phil Spector's orchestral and choral overdubs were removed, and his Wall of Sound mixing technique was not used, leaving little to no delay, echo or reverb in the mix. (This is especially evident on "For You Blue," particularly in the guitars and vocals). All lead vocals and drums are now placed in the middle of the stereo picture, giving the album a more modernised sound and feel. Finally, all studio and rooftop dialogue from the original album was removed, resulting in a number of sharp fade-outs where dialogue had been previously.
Two songs that had been included on the original album--the traditional Liverpool folk song "Maggie Mae" and the improvisational piece "Dig It"--were both excised, as they "didn't fit comfortably with the concept of a straight album."[5] Conversely, Lennon's "Don't Let Me Down" was added to the running order, although Naked features a composite edit of the two versions from the rooftop concert, rather than the familiar B-side from the "Get Back" single.[5] ("I've Got a Feeling" was also presented in a new composite edit of its two rooftop concert takes.)[5]
"Dig a Pony" features two major fixes and edits. An off pitch note sung by Lennon in his second "because" was digitally pitch-corrected. Also, whereas the original album track featured Lennon beginning to play the song's final guitar riff one beat too early, this version mixes the error out, leaving a clean outro.
The remixed "For You Blue" reinstates George Harrison's original acoustic guitar track.
For "The Long and Winding Road", the Naked producers used the final take, recorded five days after the rough run-through Phil Spector had selected for the original album.[5] As per all songs on Let It Be... Naked, this version is devoid of any orchestral or choral overdubs. (The unadorned take from Let It Be is featured on Anthology 3.) Finally, there is a slight lyrical difference: whereas the original album version's lyric reads, "anyway, you'll never know the many ways I've tried," on this version it reads, "anyway, you've always known the many ways I've tried." Electric guitar and electric piano are also present in this version, played respectively by Harrison and Billy Preston.
"Across the Universe," which dates from nearly a year before the rest of the original album was recorded, was stripped of almost all of its instrumental and vocal overdubs, leaving Lennon's acoustic guitar and lead vocal as the song's centerpiece. This marks the first appearance of the track in its original recorded key, as the original "wildlife" version had been sped up and the Let It Be album version had been slowed down.
For the title track, the original take 27a was used for the bulk of the song, but two edit pieces were flown in from take 27b (the version seen and heard in the Let It Be film): namely, the guitar solo and a brief section near the end (the final "Mother Mary comes to me" bar) to fix an errant piano chord that was present on the album/single versions. Also, as per all other tracks, all orchestral and choral overdubs were removed. With the versions featured on the single, the original album, and the compilation album Anthology 3, it features the fourth version of the song's guitar solo to be released thus far.
General track differences and details:
The cover image of the album is a monochrome negative of the original cover picture, although George Harrison's photograph has been replaced with a new one for reasons undisclosed. George's new photo conforms to that of the other three in that it shows him in performance, as opposed to the photo on the original sleeve.
The album received mixed reviews:
All songs written and composed by Lennon–McCartney except where noted.
| No. | Title | Length |
|---|---|---|
| 1. | "Get Back" | 2:34 |
| 2. | "Dig a Pony" | 3:38 |
| 3. | "For You Blue" (George Harrison) | 2:27 |
| 4. | "The Long and Winding Road" | 3:34 |
| 5. | "Two of Us" | 3:21 |
| 6. | "I've Got a Feeling" | 3:30 |
| 7. | "One After 909" | 2:44 |
| 8. | "Don't Let Me Down" | 3:18 |
| 9. | "I Me Mine" (Harrison) | 2:21 |
| 10. | "Across the Universe" | 3:38 |
| 11. | "Let It Be" | 3:55 |
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Total length:
|
35:04 | |
All songs published by Northern Songs Ltd, except tracks 3 and 9 published by Harrisongs Ltd.
The 22-minute bonus disc contains song excerpts and dialogue from the many hours of tape which accumulated during the Let It Be sessions. Some of the removed dialogue that had appeared on the original album appears on this disc. In total, the track is 21 minutes and 55 seconds long and brings the album's total length to 56:59.
Compiled and edited by Kevin Howlett. All songs credited to Lennon–McCartney except where noted.
This album was released with the Copy Control protection system in some regions.[9]
The album was released in various countries in November 2003.
| Country | Date | Label | Format | Catalogue |
|---|---|---|---|---|
| Japan | 14 November 2003 | Toshiba EMI | Copy Protected Compact Disc | TOCP 67300-01 |
| LP | TOJP 60121-22 | |||
| Compact Disc | TOCP-70895-96 | |||
| United Kingdom | 17 November 2003 | Apple | CD | 595 7132 |
| LP | 595 4380 | |||
| Australia | 17 November 2003 | Parlophone | Copy Protected CD | 595 7142 |
| United States | 18 November 2003 | Apple, Capitol | CD | CDP 7243 5 95227 2 2 |
| Country | Peak position | Weeks on chart | Certification | Sales | Ref(s) |
|---|---|---|---|---|---|
| Argentina | 9 | ||||
| Australia | 11 | [10] | |||
| Austria | 8 | [11] | |||
| Belgium (Flanders) | 13 | [12] | |||
| Belgium (Wallonia) | 33 | [13] | |||
| Brazil | 24 | ||||
| Canada | 8 | 1 | [14] | ||
| Chile | 1 | ||||
| Denmark | 5 | ||||
| Europe | 6 | [15] | |||
| Finland | 35 | [16] | |||
| France | 14 | [17] | |||
| Germany | 13 | ||||
| Greece | 12 | ||||
| Ireland | 7 | ||||
| Italy | 6 | 11 | 120,000+ | [18] | |
| Japan | 2 | 2× Platinum | 500,000+ | [19] | |
| Mexico | 1 | ||||
| The Netherlands | 8 | [20] | |||
| New Zealand | 23 | [21] | |||
| Norway | 6 | [22] | |||
| South Korea | 15 | ||||
| Sweden | 2 | [23] | |||
| Switzerland | 21 | [24] | |||
| United Kingdom | 7 | 11 | |||
| United States | 5 | 14 | Platinum | 1,000,000+ | [14][25] |
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